Geegland’s hilariously self-aware - and silkily clumsy - use of classic theatrical devices. And even Pulitzer Prize-winning pros like Mr. For one thing, “Oh, Hello, Live!” is a hoot. Both plays are shtick-driven two-character shows that portray ambition-addled, desperate men in the autumns of their lives, and both are attracting hard-core cult audiences. Geegland’s “Oh, Hello, Live! on (Off) Broadway” opened at the Cherry Lane Theater on Thursday night. Mamet’s “China Doll,” starring Al Pacino, opened on Broadway, Mr. Mamet in rehearsal.īut is it really just a coincidence that two brand-new plays from eminent American dramatists have arrived in New York within days of each other and just happen to feature septuagenarian men with agitated gray hair and mushy accents sputtering through one-way phone conversations? I mean, great minds and all that, but still.Ī week after Mr. Geegland might have been eavesdropping on Mr. Geegland when they composed their latest chef-d’oeuvre. Far be it from me to suggest that the great David Mamet was looking over the shoulders of the great Gil Faizon and George St.
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